Qualifications
Degrees
The University of Warwick, Doctor of Philosophy in Theatre Studies, ‘Mobilising languaging: Facilitating dynamic linguistic resources in applied performance praxis‘ supervision by Dr Yvette Hutchison & Professor Jo Angouri, Theatre and Performance Studies & Applied Linguistics, pass with minor corrections, 2019
Royal Central School of Speech and Drama, Master of Arts in Applied Theatre, Distinction, 2013-2014
The University of Notre Dame/ Western Australian Academy of Performing Arts, Edith Cowan University, Bachelor of Arts in Theatre Studies, 2:1, 2003-2007
Certificates
Associate Fellow Higher Education Academy, Certificate of completion, Higher Education Academy, UK, 2018
Preparing to Teach in Higher Education, Certificate of completion, University of Warwick, Coventry, 2017
Disclosure and Barring Service (DBS), Certificate of completion, United Kingdom Home Office, 2014
Continuous professional development
Viewpoints actor training for devising with Ruby Donohoe, 2-day workshops, Brisbane, Australia, June 2021
Fitzmaurice Voicework with Ryan O’Shea, 10-week course, Los Angeles, United States, September-December 2020
Drawing, multimodality and interaction analytics, Saul Albert, National Centre for Research Methods, University of Southhampton, United Kingdom, November 2019
Workshop with Geese Theatre Company, Louise Heywood, Masks, one-step removed and other theatre-based exercises within Prison Theatre, February 2019
Critical discourse analysis course, Languages in the Workplace Research Network, Meredith Marra and Janet Holmes, University of Wellington, July 2018
Workshop with Frantic Assembly, Movement, gravity and pair-work, July 2014
Barbican participatory arts lab for facilitators, Gerri Moriarty, Barbican ArtWorks, London, June 2014
Risk and ethical leadership with Ovalhouse, Stella Barnes, Ovalhouse, London, March 2014
Working with former prisoners and the criminal justice system, Anna Herrmann, Clean Break Theatre Company, London, November 2013
National Theatre’s child protection and safe-guarding procedures, Rob Watt, National Theatre, London, October 2013