‘We breathe English, but we don’t live it’ says Dion Nkomo, educator at the University of Cape Town.* Nkomo’s claim
The initial stimuli for researching approaches to drawing from actors’ linguistic resources in performance came in 2013 at the Evelyn
I was lucky enough to have access to enough equipment to cobble together some podcasts featuring the post-show panel discussions
With Sonja Linden of Visible I have been conceptualising a type of auto/biographical production process, engaging both process and product.
This stunning rehearsal studio at Jerwood Studios in London was the beginning of some my key current practice as research